Exclusive First Look: Jaime Pressly Under Attack in I Hate My Teenage Daughter

I Hate My Teenage Daughter Jaime Pressly spent four years and won an Emmy for terrorizing on-screen ex-husband Earl on My Name is Earl, but now she's bearing the brunt of the abuse on her new series I Hate My Teenage Daughter. The series, premiering on Wednesday, Nov. 30 at 9:30/8:30c, follows single moms Annie (Pressly) and Nikki (Katie Finneran), who realize that by raising their daughters to be cool (as opposed to the nerds they were in high school), they have actually created two bratty monsters. "The relationship between Annie, my character, and my daughter Sophie is actually a really good one," Pressly says. Adds Kristi Lauren, who plays Annie's daughter: "Annie let Sophie grow up without a lot of rules and so Sophie thinks, 'Oh, I can do whatever I want.' They always have this struggle for power." Mark Consuelos joins I Hate My Teenage Daughter The question is whether both women can (finally) start disciplining their daughters, but also keeping those mother-daughter bonds intact. "My problem is that I always want my daughter to love me so much," Finneran says with a laugh. Watch an exclusive first look at I Hate My Teenage Daughter:

Sierra Towers: The Methods of L.A.'s Strange, Sexy Celebrity Condo

The means by which real estate agent Russ Filice recalls it, eventually at the begining of 2000s, he gave an trip from the Sierra Towers condominium to Eddie Fisher, the first sort teen idol and singer, and also the kids Tricia Leigh Fisher and Joely Fisher. The late artist's brood wanted him to move into the 31-story West Hollywood high-rise, as well as the visit reduce recollections for Fisher, former husband to both Darlene Reynolds and Bette Davis, then within the 70s. "Once we were touring him along with his kids, he mentioned, 'Oh, Used to do formerly party here constantly with Yul Brynner, doing cocaine.' And so they mentioned, 'We know, Father, everyone knows,' " Filice recalls. "I believed, 'How interesting.' If these walls could talk."our editor recommendsHollywood's Finest Property Deals every week: Matthew Perry, Val Kilmer, Jesse Trump (Photos) Indeed, Sierra Towers -- extended a choice of Celebs, rock 'n' roll gods and showbiz moguls alike -- is packed with colorful tales that have only put in its appeal and mystique. There's hardly any other residential building in La that has situated this kind of various and many notables: former people include David Geffen, Sidney Poitier and Lindsay Lohan(see chart below).Cher, Elton John and Joan Collins are current people, and THR finds that Courteney Cox recently bought a 2-mattress room, upper-floor unit within the 9255 Doheny Road tower. They've all clustered with a building that's recognized for its jaw-losing sights, sharp midcentury architecture, discreet staff and prime location round the eastern side of Beverly Slopes at the end from the Hollywood Slopes (Sierra Towers is nearby from Soho House). The structure is effectively not avoidable because current zoning restrictions can make it tough to create this kind of tower in West Hollywood, where it is the greatest building. These factors make Sierra Towers among L.A.'s most pricey high-increases and aided fuel an outburst in prices and interest there because the boom in the mid-2000s. It is among only numerous L.A. condo structures where models routinely sell more than $1,000 per sq foot ., a company benchmark. PHOTOS: Matthew Perry's $Thirty Dollars million in solid Estate -- Two Records, One Purchase, One Purchase All Inside A few days Even though Fisher never wound up buying at Sierra Towers, his fascination with it's illustrative: The 146-unit property draws in all decades -- it is a place where celebrity Lily Collins could share a dip inside the pool or possibly a lift ride with Joan Collins or her Empire enemy, Diahann Carroll. "You have to be entirely makeup whatsoever occasions when you're getting inside the elevator -- you never know who you will come across,In . states Nikki Haskell, the StarShape weight reduction guru together with a Sierra Towers resident since 1990. She's testing the waters and contains put her two-mattress room unit in the marketplace for $3.2 million. Still, Haskell states selling it "would totally break my heart." You will discover several apocryphal tales in regards to the building's beginning that only increase its legend. People condition the website for Sierra Towers was situated in Beverly Slopes, however, if that city balked within the recommended height, the house was annexed by La County, which allowed construction to move forward. You will discover also tales of advantages by organized crime to neighbors in nearby structures and houses who grumbled regarding sights being destroyed another story involves Frank Sinatra helping to obtain the building completed after construction postponed as they wanted a place for his mother to reside in. The structure may also be mentioned to acquire its plural title from scuttled original expects to build up another tower. (The urban centers of Beverly Slopes and West Hollywood together with the La Conservancy haven't any records or information that validate these tales.) PHOTOS: Hollywood's Finest Property Deals every week: Matthew Perry, Val Kilmer, Jesse Trump What's known in regards to the building's history is much more straightforward. Sierra Towers was produced for $12 million by Walter and Leo Minskoff, whose family firm also built NY's Minskoff Theatre. The structure opened up up in 1966, similar to the adjacent Sunset Strip was roaring to existence, and increased being the greatest residential structure in La. The architect, Jack A. Charney, who examined under Richard Neutra and Rudolph Schindler, mentioned in the 1965 La Occasions article he designed the structure "to think about obtain the most of sights of city, hills and ocean." Compared to that finish, models inside the building, including one-, two- and three-mattress room houses, feature true floor-to-ceiling home home windows and expansive balconies. Sierra Towers was operated just like a apartment, but following its purchase by NY property investor Helmsley Spear Corporation., the structure was changed into condos in 1974. In individuals days, single-mattress room condo may be had for $70,500 together with a 3-mattress room unit for $152,500, with different 1974 La Occasions story. The structure came stars, socialites and entertainers The Fugitive star David Janssen settled in, as did star jockey Willie Shoemaker after which, Tawny Kitaen. Nowadays, Sierra Towers condos routinely fetch prices typically limited to houses in Beverly Slopes or Brentwood. This fall, for example, Matthew Perry unloaded a couple-mattress room unit for slightly under $3 million he'd bought from John in 2005 for $3.2 million. According to data within the Mls, 10 models are actually offered this season, by getting a typical price of $2.millions of ($1,080 per sq foot .). That's up from 2010, when eight were offered with an average price of $1.6 000 0000 ($850 per sq foot .). Still, pricing is reduced the boom years, when models offered more than $2,000 per sq foot . at the peak in the recession this past year, only one unit exchanged hands. But Filice cautions that recent sales figures don't tell the whole story because some deals are completed in the market and don't are available in sales databases. He mentioned there's been three such sales this year. EXCLUSIVE: Hollywood's Historic Taft Building available Filice knows the structure well. A San Francisco Bay Area transplant, he bought one within the month of the month of january 2002 for $725,000 after being intrigued with the sights, locale and -- possibly first of all -- an chance. The Sotheby's Worldwide Realtor felt your building, which in those days had fallen from favor while using celebrity set, may be repositioned to another generation of Hollywood players. According to him that his grassroots advertising campaign introduced a slew of latest people for the tower, altering it in to a hotspot for youthful Hollywood. Throughout yesteryear decade, Lohan and Rachel Zoe moved in, among others. Inside the boom years, some flippers -- including Vincent Gallo -- developed a fortune, turning models quickly for profits inside the millions. People condition that the building functions just like a true community: A-listers are friendly inside the hallways, quick use a smile or retain the elevator. "Everybody inside the building includes a great deal of privacy -- it's don't assume all guy for themselves," Haskell states. Nevertheless the building's number of outsize personas has produced memorable moments for a lot of people. Numerous tales, really, focus on the structure's elevators, which you'll find just two -- an oversight with the developer that, Kitaen states, handled to obtain cumbersome to redesign her many houses (she were living in five models in early eighties to 2008). With only two elevators, strange excursions sometimes happens. Filice, for example, recalls one ride he needed that ended while using entrance doors opening on Lohan, outfitted only inside an unbuttoned males's dress shirt, during the time of the argument with then-boyfriend Scott Storch, accurate documentation producer. (Filice, who states he's offered greater than 100 models within the building, forget about lives there.) One former resident recalls working out throughout a good work out session and searching to go to a "catfight between Alex Carrington and Dominique Deveraux" -- the Empire figures referred to by Collins and Carroll, correspondingly. (It didn't happen.) With time, entrepreneurs have scammed the structure's design to re-imagine their models. Because Sierra Towers was built with crawl space between flooring, entrepreneurs receive great flexibility in rerouting plumbing together with others to numerous places in models. Among people who've place their own stamp on things: Charles S. Cohen, who is the owner of the Off-shoreline Design Center, which has combined three models. Cher's unit might be the only real two-story condo inside the building -- it absolutely was formerly possessed by Gallo and earlier, Geffen. For his part, John has created a residence for his 10-month-old boy, Zachary, that's near the singer's pad. Kitaen, Haskell while others your building's staff of 37 -- including security personnel, porters and 11 valets, distinguishes it off their high-finish condo characteristics, including Wilshire Corridor cornerstones such as the Blair House and new additions like the Century. That sentiment is echoed by Sotheby's agent Josh Greer, furthermore a resident. "You will discover newer, glossier, fancy structures round the Corridor, but they are cent-a-dozen," states Greer, which has possessed several models inside the tower over time and offered seven there formerly six several days. "I recieve home and so they hands me my FedEx packages and take my vehicle, that's perfectly washed with the valets. I am not likely to leave." Clearly, homeowner association dues are dear: A fee of roughly $1.20 per sq foot . monthly suggests that who is the owner of a few,100-square-ft, three-mattress room unit forks over about $2,520 monthly. Greer likens Sierra Towers with a top-tier NY co-op, such as the Dakota. But unlike Manhattan, where you will discover several residential towers preferred with this city's elite, in L.A., a confluence of timing, location and Hollywood glamour has allowed Sierra Towers to manage alone. News that five models are really in the marketplace -- plus a $9.5 million penthouse -- excites Kitaen, who desires she could return to the structure she extended referred to as home. The onetime Whitesnake music video star longingly recounts her days at Sierra Towers, saying she energizes "thinking about it every single day, going 'Goddamn it, why did I sell my place?'" Email: Daniel.Burns@THR.com Twitter: @DanielNMiller Related Subjects Property

Len Blavatnik's Warner Music Closing in on EMI's Artists Division (Report)

LONDON - Warner Music looks like favorite to win control of EMI's recorded music business after entering a bid of between $1.5-$1.6 billion for the division, with BMG Rights/ KKR bidding between $1.8 billion and $2 billion for EMI's publishing arm, according to Bloomberg.our editor recommends'Glee' Cast Joins Viral Star Keenan Cahill for Katy Perry TrackApple Posts Steve Jobs Memorial Video Featuring Al Gore, Coldplay, Norah Jones (Video) PHOTOS: Grammys: Top 10 Must-See Moments If the deal goes through, it would see Warner taking control of a catalog of artists including Coldplay and Katy Perry, while BMG Rights - a joint venture between Bertelsmann and private equity house KKR - would control the publishing catalog of artists including David Bowieand The Arctic Monkeys. Citing people close to the deal, Bloomberg said that EMI-owner Citigroup is still looking at options to split the British music company - which had proved such a disastrous $6 billion buy for maverick investor Guy Handsin 2007. Citigroup took control of the business after Hands' invesment firm Terra Firma defaulted on its loans with the bank. On the way he caused a slew of artists including Radiohead, Paul McCartney and the Rolling Stones to leave the label dispirited by the Terra Firma management approach. PHOTOS: Billboard Music Awards Nominees Bloomberg said that Warner Music - which was bought by Len Blavatnik'sAccess Industries for $3.3 billion in June - is still negotiating around EMI's pension liabilities. Meanwhile, Reuters reported that the deal announcement thought likely this week has now been pushed forward to next week. Reuters said Warner Music was now in "pole position" after Universal Music dropped out of the auction, apparently concerned that the pension costs would overweigh the deal. PHOTOS: American Music Awards: Red Carpet A merge between EMI and Warner Music has been talked about for the better part of the past decade and could yet create a global player capable of taking on Universal and Sony. Related Topics International Warner Music Group EMI

Arbitration clauses upset creatives

Charlie Sheen's lawyers searched for a public trial, however the situation visited arbitration anyway. Charlie Sheen's situation against Warner Bros. has settled, the theatrics from the dispute changed with a conciliatory tone. Only one problem remains a continuing supply of discontent within the legal community: arbitration. Before Sheen and Warner Bros. found terms to have an undisclosed amount, they squared off in the court, with Sheen's reps anxious to possess his situation heard inside a public proceeding and also the studio going to enforce a clause in the contract that will have place it at the disposal of an arbitrator, typically a upon the market judge, with most everything completed in private. Even though Sheen situation is yesterday's news, it uncovered a lengthy-residual flashpoint between talent's legal reps and studio general counsels. The entire reason for arbitration ended up being to get disputes with the system at greater speed minimizing cost. Litigants, i.e., stars and designers suing galleries, usually over their share from the after sales, say it will neither. The machine, they are saying, has morphed into one which favors the galleries, specially when it involves accounting and distribution of profits, which explains why it is a studio standard to demand that contracts include arbitration clauses. "Will we really obtain a fair shake as representing talent and that we don't have any jury, and that we have punitive damages waived and that we have many of the other activities which are triggered by getting arbitrations rather than lawsuit? I do not think so," Michael J. Plonsker of Robins, Kaplan stated in a recent panel of litigators which i moderated prior to the Beverly Hillsides Bar Assn. Within the Sheen situation, his attorney Marty Singer contended that his contract's arbitration provision was "unconscionable." Quite simply, despite the fact that Sheen was among the greatest-compensated stars on tv, he did not have choice but to simply accept an arbitration provision in the contract. John Spiegel, who repped Warner Bros., challenged the concept Sheen did not have leverage to barter, observing he commanded $two million a chapter and could demand such things as a personal hairstylist and employ of the private jet. Sheen, Spiegel stated, did not even mention an arbitration clause within the lengthy listing of things he wanted when his contract emerged for renewal this year. The judge wound up delivering the situation to arbitration, and for the question of if the arbitration clause was "unconscionable," he stated that that may be left at the disposal of ... the arbitrator. This is exactly why, in the Beverly Hillsides Bar Assn. panel, Plonsker stated the option inside a contract settlement is always to obtain a studio to really say, "Go or let it restInch for an arbitration clause. "Send them an e-mail or perhaps a letter saying, 'We do not want arbitration,' making them say, 'You don't have any choice.' Then, as litigators, we'll obtain the chance to express, it's 'unconscionable,'" he stated. Also irking these legal reps is the fact that contract disputes settled in arbitration don't have any precedential value. Plonsker indicates a central repository to a minimum of glean details about arbitration honours. But considering the fact that discretion is frequently a rationale for arbitration to begin with, have fun with that. "We will don't have any input in the courts as to the these contracts mean, and each time we begin a new proceeding, it will end up like 'Groundhog Day,' which isn't good, for that industry or people representing talent," Plonsker stated. "I do not know if it's great for the galleries." He found agreement from two others around the panel, Ray Stein of Lining Law and Bonnie Eskenazi of Greenberg, Glusker. Speak with studio reps and they'll insist that although arbitration clauses have grown to be a typical, they're still up for grabs in settlement, and it is faulty to visualize that arbitration favors their side. "We negotiate, and not every one of our arbitration provisions stay the same,Inch Warner Bros. general counsel John Rogovin stated within an interview. One industry source stated that "it was once talent that requested the supply, and also the galleries opposed. They did not want time, money and delay of the court proceeding." Frequently reported like a help to each side is the fact that an arbitrator can devote "undivided attention," while idol judges in the courtroom system are overstressed. Galleries have reason to prevent the dynamic of the court trial: Jury consultants claim that whenever a jury needs to choose from a star or content creator along with a major media conglom, David will get a far more supportive ear than Goliath. In the panel, Martin Katz of Sheppard Mullin, that has repped galleries in lots of high-profile cases, stated, "As we return to exactly what the primary objectives really were on arbitration, that is cost containment and speed to judgment, and that we agree with regard to argument it does not work so excellent ten years later, now you ask , what's the fix? May be the fix scrapping it, or perhaps is the fix determining how you can have arbitration provisions which are enforceable but do actually streamline the procedure?Inch Until such issues are addressed, there will be lots of rancor on the clause made to bring relief. Contact Ted Manley at ted.manley@variety.com

Zynga Eyes November IPO (Report)

NY - Social gaming giant Zynga, the company behind such Facebook games as CityVille, FarmVille and Mafia Wars, is planning to price its initial public offering and have its shares trading the week before Thanksgiving on November 24, Reuters reported, citing sources briefed on the plans. It said though that the IPO plan has not been finalized and could change depending on such factors as market trends. Fellow dotcom company Groupon, for example, hopes to price its shares in early November. That would make the online coupon firm the first major IPO since a market slump that started this summer, meaning it could become a test case for future offerings, including Zynga's. Reuters said Zynga is looking to start its IPO marketing efforts, known as the road show, soon after Groupon's stock market debut. Zynga this summer filed for an IPO looking to raise as much as $1 billion. However, amid the summer's market turmoil, a slew of IPOs have been delayed, while others were scrapped. Earlier this month, Zynga disclosed in a regulatory filing that it will trade on Nasdaq under ticker symbol "ZNGA." Email: Georg.Szalai@thr.com Twitter: @georgszalai Related Topics Zynga

River Phoenixs Family Wants Nothing Related To Re-Discharge Of Unseen Film Dark Bloodstream

The household recently actor River Phoenix is arguing a director’s claim inside a trade paper report that they're aboard for any suggested re-discharge of Dark Bloodstream, the 1993 film that Phoenix was shooting when he died of the drug overdose in 2009 . while watching Viper Room nightclub in West Hollywood. Within the report, director George Sluizer stated he was reediting the film, planned to request Joaquin Phoenix to overdub the voice of his brother which Sluizer had remained in contact with the household. All of this is news towards the Phoenix clan, per a representative. “Despite George Sluizer’s declare that he's been interacting with River Phoenix’s family regarding delivering River’s last film, Joaquin Phoenix and the family haven't experienced communication using the director nor can they participate by any means.”

Avengers Trailer On iTunes: 10M Downloads In 24 Hours

In the first 24 hours following its debut Tuesday on iTunes the trailer for Marvel’s The Avengers was downloaded more than 10 million times, Marvel announced today. The trailer surpassed iTunes’ previous record set by Transformers: Dark of the Moon, with 6.4 million downloads in the first 24 hours. The movie that brings together Marvel super heroes Iron Man (Robert Downey Jr.), Thor (Chris Hemsworth), Captain America (Chris Evans), The Incredible Hulk (Mark Ruffalo), Hawkeye (Jeremy Renner) and Black Widow (Scarlett Johansson). Led by S.H.I.E.L.D.’s Nick Fury (Samuel Jackson), the dream team fights to save the world from super villain Loki (Tom Hiddleston). Written and directed by Joss Whedon, it opens May 4, 2012.

The Mountaintop

Samuel L. Jackson is Dr. Martin Luther King, Junior. on his last evening in the Memphis motel and Angela Bassett can be a maid inside the Mountaintop. An exhibit of Jean Doumanian Sonia Friedman Prods., Ambassador Theater Group, Boost the Roof 7, Ted Snowdon, Alhadeff Prods./Lauren Toy, B Square, 4 Prods./Broadway Across America, Jackie Barlia Florin/Cooper Federman, Ronnie Planalp/Moellenberg Taylor and Marla Rubin Prods./Blumenthal Undertaking Arts, in colaboration with Scott Delman, from the play in one act by Katori Hall. Directed by Kenny Leon.Rev. Martin Luther King Junior. - Samuel L. Jackson Camae - Angela BassettUnlike people warts hpv warts-and-all biodramas that humiliate the celebrated figures they profess to humanize, Katori Hall's imaginative two-hander "The Mountaintop" does, indeed, burnish the legend in the Rev. Martin Luther King Junior. Occur Memphis round the eve of his murder, this soul-stirring drama finds King confiding his doubts, fears and morbid premonitions with a sassy motel maid -- a stealthily trite situation that Hall transforms into an psychologically effective and theatrically stunning moment of truth. Aspect in the double dose of charisma from certifiable stars Samuel L. Jackson and Angela Bassett, which show has wings. Play involves town after bowing inside a small London theater and moving for the West Finish, where it won this year's Olivier Award for top play. Nevertheless the show is almost at its midpoint before it unveils what motivated everything overseas adulation. Under Kenny Leon's helming, the creative staff has already established a seriously naturalistic approach to the factual area of the material, that's grounded inside the shabby motel room (a regrettable hole inside the wall, in David Gallo's design) where King (Jackson) spent the evening of April 3, 1968. The evening is dark, there's bad weather outdoors (nice appear work from Serta Moses Schreier), and perils of violence are keeping King within the room. Nevertheless the motel doesn't offer much if this involves little luxuries, and he's tired, hungry willing and able for any cigarette. In Jackson's physically imposing and psychologically honest perf, the fantastic guy may also be greatly weary -- along with a little lonely -- after delivering his inspiring "I've Visited the Mountaintop" speech with a rapt congregation at Mason Temple. When a stylish maid named Camae (Bassett, whose range stretches from adorable to breathtaking) appears with coffee around the tray (and cigarettes together with a flask of liquor on her behalf account person), he triggers the charm to acquire her to stay a while. It's Camae's first evening at the office and she's striving to impress, as well as the sexy relationship they begin is simply the type of component that the playwright might seize onto "humanize" popular figure like King. Indeed, Camae reassures the preacher, "You just a man,Inch when she catches him hoping to get her up. "Essentially was you, I'd be starin' at me, too," she notifies him with appealing candor. Jackson does absolutely the very best factor by King, playing all the defects which will make him human without gradually wrecking him of his fundamental dignity. Bassett's comedy capabilities show up when Camae teases him about people defects -- the vanity about his looks, the swaggering pride within the own oratory, the holes within the socks. She will also fall behind Camae when the sassy maid taunts King while using memory in the virtuous Malcolm X, who didn't, she states, "Drank. Smoke. Cuss. Or cheat. On. His Wife." Fun since it is, this light banter continues too extended, dragging out what appears to become famous man's rather awkward seduction from the irresistible maid. However, if Hall is finally ready to drop her cover and declare her true intentions, she accomplishes this in the large, large way. Getting a magisterial wave of her hands plus an abrupt alternation in theatrical style, the scribe enables it's known this is not any regular evening. Today King walks to their own Garden of Gethsemane and falls on his knees to handle his terror and despair, to confess his fears and doubts about his mission, also to pray for your strength to just accept his martyrdom. But throughout King's extended evening of existential darkness, one youthful playwright has seen in it that he's one of many.Organized and predictions, David Gallo costumes, Constanza Romero lighting, John MacDevitt original music, Branford Marsalis appear, Serta Moses Schreier hair and hair pieces, Charles G. LaPointe production stage manager, Jimmie Lee Cruz. Opened up up March. 13, 2011. Examined March. 8. Running time: 1 hour, 35 MIN. Contact the number newsroom at news@variety.com

What the Industry Has to Say About Back Stage Turning 50

What the Industry Has to Say About Back Stage Turning 50 October 12, 2011 Ken Howard "Back Stage was my bible during my acting days from 1960 to 1970. It has been my studio's bible since the inception of the T. Schreiber Studio in 1969. Between our weekly ads and many articles over the years, we wouldn't be where we are today without you. This goes back to 1969, when I had just started teaching but I was a bit financially challenged. I wanted to advertise in Back Stage as 'The Terry Schreiber Studio' but didn't have a lot of money to spend and could only afford a small ad. Charlotte Harmon, who was in charge of advertising then, suggested that with my limited funds she could give me an ad for 'T. Schreiber Studio.' Before that, I had never been called 'T' in my life. But the title has remained the same for these 43 years. Thank you, Back Stage. Have a joyous 50th. You deserve it!" Terry Schreiber, acting teacher, T. Schreiber Studio and Theatre, NY"Fifty years ago, publishers saw the need for an informative, reliable, and comprehensive resource for acting professionals. Today, Back Stage magazine has become a staple for the working actor, not only as a news source but as a guide for finding work and sustaining a career. Congratulations on your golden anniversary! On behalf of the 125,000 members of the Screen Actors Guild, thank you for helping actors navigate the ever-changing entertainment industry."Ken Howard, president, Screen Actors Guild"The 50th anniversary is as much a tribute to Back Stage as it is to the legacy and vision of its co-founders, Ira Eaker and Allen Zwerdling. Realizing in 1961 there was a need to fill a void in the actors' marketplace, Back Stage was created. For the past five decades, Back Stage's impact on the entertainment industry has been invaluable [as it has] assisted actors in furthering their careers by offering them access to a clearinghouse of show business information on both craft and commerce. Back Stage's longevity is a testament to its ability to evolve and stay current in both its content and its online delivery in an ever-changing theatrical and commercial workplace. Here's to the next 50 years!"Michael Katz, Michael Katz Talent Management, NY"As a member of three performer unionsAFTRA, Equity, and Screen Actors Guildthroughout my career, Back Stage has been an important resource for the news and information I need as a working professional actor. As AFTRA's national president, I have enjoyed working with Back Stage to share AFTRA's story with its readers. I am very pleased to congratulate Back Stage on its 50th anniversary, and I applaud you on 50 years of outstanding service to the acting community."Roberta Reardon, president, American Federation of Television and Radio Artists"I first picked up Back Stage in (eeeeek!) 1993. Back Stage helped me get one of my first professional acting jobs. I remember the magazine coming out every Thursday, and I would be at my favorite NY newsstand first thing in the morning to get my copy. I'd come home and circle every possible casting I thought I was right foreven many I wasn'tjust for the opportunity to be seen. I had no agent or manager at the time, and my only way to get seen and get work was through the casting postings in Back Stage. There were always so many open calls for Broadway shows and regional theaters, and I'd get up at the crack of dawn to be one of the first people in line to be seen. If you waited to get there by, like, even 7 a.m., the line of actors generally stretched out the building and around the block. You'd be lucky if you got a time slot to audition. Getting an Equity time slot was like being in Willy Wonka's Chocolate Factory ('I've got the golden ticket!'). I remember seeing a casting for 'The Tempest,' being done at North Shore Music Theatre. I got a time slot, auditioned, and got cast. I should have commissioned Back Stage. For a long time, that magazine was the only way I got work. Thank you, Back Stage."Anthony Meindl, acting teacher and director, Los Angeles"Back Stage has been a key part of the savvy actor's research and preparation for the past half-century. I well remember getting up extra early on Thursday mornings almost 40 years ago to be among the first to scour Back Stage for the audition notices. When I talk to young actors about the 'business of the business,' I always stress the necessity of regularly reading Back Stage."Nick Wyman, president, Actors' Equity Association"When I first came to NY years ago, I heard that Back Stage was the actor's bible. I was told that you had to get it every week to find out what was casting, what was going on in the theater community, etc. It was the lifeline, the connecting link, everything the actor needed to know. Every Thursday, I'd be up early and run out to the newspaper stand to get my weekly copy. The interview articles with actors who'd 'made it' and invaluable advice from casting directors and agents filled me with hope, possibility, and basic know-how. Over the years, Back Stage became my weekly Thursday breakfast friend. I'd read it, check the castings I was right for, and plan my week by it. Today, in this age of everything online, I still live by it. Yes, I know a lot of the information is online, but maybe because I'm a writer, I love the visceral feeling of turning paper pages. I like holding a newspaper in my hand. Today, the articles may be a bit more sophisticated, the stars interviewed may be more famous, but it's the tradition of the paper that draws me to the newsstand. Back Stage had matured with the times. Now, because I'm an acting coach, I look to see what is required (monologues, cold readings, etc.) at the different auditions. As a playwright, I look to see which of my friends has something in production. And as a teacher, I enjoy the interviews with agents and acting teachers for their insights and viewpoints. Sometimes their advice becomes my advice. It's still the same paper, yes, but better."Glenn Alterman, acting coach, book writer, and playwright, Glenn Alterman Studio, NY"Back Stage has helped meand my businessby being both the go-to source and resource for actors who understand that a career in the business of acting isn't just about performing. The smart actor is a great client, which is why I am so appreciative of Back Stage and the team that writes and produces it each week. By helping to educate actors (my clients included) and keeping them informed about the business, [Back Stage allows] readers to consistently come away armed with information that helps them be proactive in launching and building their careers all along their journeys. Happy 50th!"Brad Lemack, talent manager and author ("The Business of Acting: Learn the Skills You Need to Build the Career You Want" and "The New Business of Acting: How to Build a Career in a Changing Landscape"), Los Angeles"How do you know something is useful? By how long it stays visible in the marketplace. Back Stage has been around for a long time because it is as important to an actor as The Wall Street Journal is to someone investing on Wall Street. Each time a client of mine has appeared in Back Stage (either reviewed or appearing in something like Ask an Actor), it raises their profile. I have been flattered to have been profiled on the Industry Insider page as well as being a contributor to Ask a Manager. Many of my contributions and those of my colleagues have helped answer a young actor's questions before they knew what to ask."Seth Greenky, Green Key Management, NY"As a stuntwoman, stunt coordinator, and actress, Back Stage has been invaluable to me. It keeps me in the loop, working, and I always feel connected to the heart of the industry! Thanks, Back Stage, and happy 50th!"Elle Alexander, vice president, Stuntwomen's Association of Motion Pictures, SAG/AFTRA"My first job, as an actress on the film 'Armageddon for Andy,' was the result of an ad I saw in Back Stage. On it, I worked with actors who would go on to star on soaps, television, and in films, and we all came together because of Back Stage. I've read it religiously since then, examining it for insights, tips, stories, and of course the [Readers' Choice] L.A. and NY issues. There is no finer magazine out there for actors who want to be in the know!"Kristen Caldwell, co-owner, The Actor's Key, Los Angeles"Back Stage celebrates talent and is consistent in achieving honesty in its updated info!"Chadwick Struck, casting director, Los Angeles"I can never say it enough, how important Back Stage is to the acting community, and am forever telling every actor I meet to subscribe. Congratulations on 50 years of excellence! Back Stage is an outstanding resource for the beginner as well as the seasoned pro. Back Stage's reporting on casting information, articles on finding representation, along with other informative stories are extremely beneficial to the acting community. Fifty years of innovative, groundbreaking journalismBack Stage is my resource to help my clients start and maintain a career in the entertainment business."Arthur Massei, Massei Management, NY"I've been reading Back Stage since I became serious about acting about nine years ago. I would always flip right to the back and check out the latest casting calls. I booked my first jobs from those ads. Combine that with all the great articles that I've learned so much from, and you figure I'd probably be nowhere without it! I now get a booth at Actorfest every year for my headshot business. Back Stage has and continues to find great ways to further the career of an actor."Jeff Ellingson, photographer, Jeff E Photo, Los Angeles"Back Stage is an essential tool for any NY actor. The invaluable resource that [it] is for information and projects is something I recommend to every client I have."Josselyne Herman, manager, Josselyne Herman & Associates, and author ("So You Wanna Be a NY Actor?"), NY"I have been a producer and playwright in Los Angeles for 14 years, with both Neo Ensemble Theatre and the All Roses Company. I have been reading Back Stage as long as I have been in Los Angeles, and have posted audition notices for most of my productions on your pages. As both a playwright and producer,I appreciate Back Stage reviewing as many plays as they are able. Reviews are invaluable tools for raising audience awareness and promoting the script after a run has closed. Thank you, Back Stage, for fighting the good fight."Ralph Tropf, producer and playwright ("The Animal Within" opens Nov. 4 at the Elephant Theatre), Los Angeles"I first opened a copy of Back Stage West in 1985 as a young actress having just moved from NY. It was at that time the major source of information for actors. It was a necessity. Thank you, Back Stage! Congrats on a great 50 years!"Warner Loughlin, acting teacher, Warner Loughlin Studios, Los Angeles"I rely on Back Stage as a resource for finding actors. I have placed casting notices and had wonderful results. I also love having one comprehensive source for reviews."Doug Haverty, playwright, Los Angeles"Back Stage has been reviewing shows and going behind the scenes since the Crucifixion but is still as relevant as it always was. We now live in a world where television and cable are being eclipsed by the Internet and where anyone with a cheap camera can make a movie. Network execs will be more likely serving you coffee at Starbucks than reading your script, and A-list actors, judging from this summer's box office, better hope someone brings back 'Hollywood Squares.' More than ever, everyone in the business needs Back Stage as a guide to survive this changing landscape."Barney Oldfield, Barney Oldfield Management, NY"I have been reading Back Stage since 1971, when I was a fledgling singer and nonunion actress after studying with the renowned Sanford Meisner at the Neighborhood Playhouse School of the Theatre. I have been a member of all the acting unions for 35 years and teaching acting classes for over 15. I encourage my students to subscribe to Back Stage and become acquainted with the castings and articles, since it is still the original, reliable, comprehensive resource for an actor/singer/performer. In 1987, I had the good fortune to receive one of the first Back Stage Bistro Awards, as well as wonderful reviews from John Hoglund and the late Curt Davis and Bob Harrington during my many years singing in cabaret. Thank heavens Back Stage remains an ally and anchor for up-and-coming artists seeking to fulfill their dreams."Nina Murano, acting teacher, NY"As a native NYer, I've known about Back Stage forever. Back in the 1980s, it was my connection to the world I wanted to be a part of. It was because of Back Stage that I started my theater company in the year 2000. SALAAM Theatre is the first South Asian American multidisciplinary theater company in America."Geeta Citygirl, founder and artistic director, SALAAM Theatre, New York"Back Stage has always given vital information for everyone in the business above and below the line. Its longevity is due in large part to its tremendous power of keeping us all in the know in the performing arts. Back Stage was and will always be the ultimate guide to all things theatrical. Back Stage is the staple in your cupboard of dreams. Happy 50th anniversary, Back Stage. Can't have a career without you."Karen Gunn, manager, Soiree Fair, Montclair, N.J."I must say that my headshot career started with my ads I ran with you guys. I feel it couldn't be what it is today had I not advertised in Back Stage. I do think that it's an invaluable tool for actors and am so glad that they turned to Back Stage to find headshot photographers. Fifty years is very impressive. Wow! I hope you keep going for another 50!"Peter Hurley, photographer, Peter Hurley Photography, NY"I am happy to see Back Stage celebrate such a monumental achievement. I remember, before I became a casting director, that Back Stage was my main resource of auditions and information as a young actor. I am glad to see it is still a great resource. Here's to 50 more!"Mark Teschner, casting director, "General Hospital""Back Stage is a vital resource for actors across the country. In this day and age, information is not only knowledge, it is power, and the ability to navigate your career is enhanced with access to such information. The successful actor has to also understand the business side of the career, and Back Stage does a great job at giving them insights into how a successful actor has built his or her career, intel on how to find a great teacher, what a casting director looks for, and so much more. What I have come to enjoy and appreciate in both the printed and online publications is that Back Stage is giving actors a point of view and offering articles that go beyond what's casting and who's who in the business. It is a neighborhood paper for the community of actors, both working and aspiring to. I vcannot stress enough how important it is to connect to your community and take charge of your career. As both a casting director and the developer of the app Actor Genie, I have come to rely on Back Stage as the pulse of the actor's business. I only hope that, like an actor's performance, the paper will dig deeper and continue to be a major presence in the shrinking world of newspapers."Heidi Levitt, casting director, Heidi Levitt Casting, Los AngelesReported by Jessica Gardner, Simi Horwitz, and Daniel Holloway What the Industry Has to Say About Back Stage Turning 50 October 12, 2011 Ken Howard "Back Stage was my bible during my acting days from 1960 to 1970. It has been my studio's bible since the inception of the T. Schreiber Studio in 1969. Between our weekly ads and many articles over the years, we wouldn't be where we are today without you. This goes back to 1969, when I had just started teaching but I was a bit financially challenged. I wanted to advertise in Back Stage as 'The Terry Schreiber Studio' but didn't have a lot of money to spend and could only afford a small ad. Charlotte Harmon, who was in charge of advertising then, suggested that with my limited funds she could give me an ad for 'T. Schreiber Studio.' Before that, I had never been called 'T' in my life. But the title has remained the same for these 43 years. Thank you, Back Stage. Have a joyous 50th. You deserve it!" Terry Schreiber, acting teacher, T. Schreiber Studio and Theatre, NY"Fifty years ago, publishers saw the need for an informative, reliable, and comprehensive resource for acting professionals. Today, Back Stage magazine has become a staple for the working actor, not only as a news source but as a guide for finding work and sustaining a career. Congratulations on your golden anniversary! On behalf of the 125,000 members of the Screen Actors Guild, thank you for helping actors navigate the ever-changing entertainment industry."Ken Howard, president, Screen Actors Guild"The 50th anniversary is as much a tribute to Back Stage as it is to the legacy and vision of its co-founders, Ira Eaker and Allen Zwerdling. Realizing in 1961 there was a need to fill a void in the actors' marketplace, Back Stage was created. For the past five decades, Back Stage's impact on the entertainment industry has been invaluable [as it has] assisted actors in furthering their careers by offering them access to a clearinghouse of show business information on both craft and commerce. Back Stage's longevity is a testament to its ability to evolve and stay current in both its content and its online delivery in an ever-changing theatrical and commercial workplace. Here's to the next 50 years!"Michael Katz, Michael Katz Talent Management, NY"As a member of three performer unionsAFTRA, Equity, and Screen Actors Guildthroughout my career, Back Stage has been an important resource for the news and information I need as a working professional actor. As AFTRA's national president, I have enjoyed working with Back Stage to share AFTRA's story with its readers. I am very pleased to congratulate Back Stage on its 50th anniversary, and I applaud you on 50 years of outstanding service to the acting community."Roberta Reardon, president, American Federation of Television and Radio Artists"I first picked up Back Stage in (eeeeek!) 1993. Back Stage helped me get one of my first professional acting jobs. I remember the magazine coming out every Thursday, and I would be at my favorite NY newsstand first thing in the morning to get my copy. I'd come home and circle every possible casting I thought I was right foreven many I wasn'tjust for the opportunity to be seen. I had no agent or manager at the time, and my only way to get seen and get work was through the casting postings in Back Stage. There were always so many open calls for Broadway shows and regional theaters, and I'd get up at the crack of dawn to be one of the first people in line to be seen. If you waited to get there by, like, even 7 a.m., the line of actors generally stretched out the building and around the block. You'd be lucky if you got a time slot to audition. Getting an Equity time slot was like being in Willy Wonka's Chocolate Factory ('I've got the golden ticket!'). I remember seeing a casting for 'The Tempest,' being done at North Shore Music Theatre. I got a time slot, auditioned, and got cast. I should have commissioned Back Stage. For a long time, that magazine was the only way I got work. Thank you, Back Stage."Anthony Meindl, acting teacher and director, Los Angeles"Back Stage has been a key part of the savvy actor's research and preparation for the past half-century. I well remember getting up extra early on Thursday mornings almost 40 years ago to be among the first to scour Back Stage for the audition notices. When I talk to young actors about the 'business of the business,' I always stress the necessity of regularly reading Back Stage."Nick Wyman, president, Actors' Equity Association"When I first came to NY years ago, I heard that Back Stage was the actor's bible. I was told that you had to get it every week to find out what was casting, what was going on in the theater community, etc. It was the lifeline, the connecting link, everything the actor needed to know. Every Thursday, I'd be up early and run out to the newspaper stand to get my weekly copy. The interview articles with actors who'd 'made it' and invaluable advice from casting directors and agents filled me with hope, possibility, and basic know-how. Over the years, Back Stage became my weekly Thursday breakfast friend. I'd read it, check the castings I was right for, and plan my week by it. Today, in this age of everything online, I still live by it. Yes, I know a lot of the information is online, but maybe because I'm a writer, I love the visceral feeling of turning paper pages. I like holding a newspaper in my hand. Today, the articles may be a bit more sophisticated, the stars interviewed may be more famous, but it's the tradition of the paper that draws me to the newsstand. Back Stage had matured with the times. Now, because I'm an acting coach, I look to see what is required (monologues, cold readings, etc.) at the different auditions. As a playwright, I look to see which of my friends has something in production. And as a teacher, I enjoy the interviews with agents and acting teachers for their insights and viewpoints. Sometimes their advice becomes my advice. It's still the same paper, yes, but better."Glenn Alterman, acting coach, book writer, and playwright, Glenn Alterman Studio, NY"Back Stage has helped meand my businessby being both the go-to source and resource for actors who understand that a career in the business of acting isn't just about performing. The smart actor is a great client, which is why I am so appreciative of Back Stage and the team that writes and produces it each week. By helping to educate actors (my clients included) and keeping them informed about the business, [Back Stage allows] readers to consistently come away armed with information that helps them be proactive in launching and building their careers all along their journeys. Happy 50th!"Brad Lemack, talent manager and author ("The Business of Acting: Learn the Skills You Need to Build the Career You Want" and "The New Business of Acting: How to Build a Career in a Changing Landscape"), Los Angeles"How do you know something is useful? By how long it stays visible in the marketplace. Back Stage has been around for a long time because it is as important to an actor as The Wall Street Journal is to someone investing on Wall Street. Each time a client of mine has appeared in Back Stage (either reviewed or appearing in something like Ask an Actor), it raises their profile. I have been flattered to have been profiled on the Industry Insider page as well as being a contributor to Ask a Manager. Many of my contributions and those of my colleagues have helped answer a young actor's questions before they knew what to ask."Seth Greenky, Green Key Management, NY"As a stuntwoman, stunt coordinator, and actress, Back Stage has been invaluable to me. It keeps me in the loop, working, and I always feel connected to the heart of the industry! Thanks, Back Stage, and happy 50th!"Elle Alexander, vice president, Stuntwomen's Association of Motion Pictures, SAG/AFTRA"My first job, as an actress on the film 'Armageddon for Andy,' was the result of an ad I saw in Back Stage. On it, I worked with actors who would go on to star on soaps, television, and in films, and we all came together because of Back Stage. I've read it religiously since then, examining it for insights, tips, stories, and of course the [Readers' Choice] L.A. and NY issues. There is no finer magazine out there for actors who want to be in the know!"Kristen Caldwell, co-owner, The Actor's Key, Los Angeles"Back Stage celebrates talent and is consistent in achieving honesty in its updated info!"Chadwick Struck, casting director, Los Angeles"I can never say it enough, how important Back Stage is to the acting community, and am forever telling every actor I meet to subscribe. Congratulations on 50 years of excellence! Back Stage is an outstanding resource for the beginner as well as the seasoned pro. Back Stage's reporting on casting information, articles on finding representation, along with other informative stories are extremely beneficial to the acting community. Fifty years of innovative, groundbreaking journalismBack Stage is my resource to help my clients start and maintain a career in the entertainment business."Arthur Massei, Massei Management, NY"I've been reading Back Stage since I became serious about acting about nine years ago. I would always flip right to the back and check out the latest casting calls. I booked my first jobs from those ads. Combine that with all the great articles that I've learned so much from, and you figure I'd probably be nowhere without it! I now get a booth at Actorfest every year for my headshot business. Back Stage has and continues to find great ways to further the career of an actor."Jeff Ellingson, photographer, Jeff E Photo, Los Angeles"Back Stage is an essential tool for any NY actor. The invaluable resource that [it] is for information and projects is something I recommend to every client I have."Josselyne Herman, manager, Josselyne Herman & Associates, and author ("So You Wanna Be a NY Actor?"), NY"I have been a producer and playwright in Los Angeles for 14 years, with both Neo Ensemble Theatre and the All Roses Company. I have been reading Back Stage as long as I have been in Los Angeles, and have posted audition notices for most of my productions on your pages. As both a playwright and producer,I appreciate Back Stage reviewing as many plays as they are able. Reviews are invaluable tools for raising audience awareness and promoting the script after a run has closed. Thank you, Back Stage, for fighting the good fight."Ralph Tropf, producer and playwright ("The Animal Within" opens Nov. 4 at the Elephant Theatre), Los Angeles"I first opened a copy of Back Stage West in 1985 as a young actress having just moved from NY. It was at that time the major source of information for actors. It was a necessity. Thank you, Back Stage! Congrats on a great 50 years!"Warner Loughlin, acting teacher, Warner Loughlin Studios, Los Angeles"I rely on Back Stage as a resource for finding actors. I have placed casting notices and had wonderful results. I also love having one comprehensive source for reviews."Doug Haverty, playwright, Los Angeles"Back Stage has been reviewing shows and going behind the scenes since the Crucifixion but is still as relevant as it always was. We now live in a world where television and cable are being eclipsed by the Internet and where anyone with a cheap camera can make a movie. Network execs will be more likely serving you coffee at Starbucks than reading your script, and A-list actors, judging from this summer's box office, better hope someone brings back 'Hollywood Squares.' More than ever, everyone in the business needs Back Stage as a guide to survive this changing landscape."Barney Oldfield, Barney Oldfield Management, NY"I have been reading Back Stage since 1971, when I was a fledgling singer and nonunion actress after studying with the renowned Sanford Meisner at the Neighborhood Playhouse School of the Theatre. I have been a member of all the acting unions for 35 years and teaching acting classes for over 15. I encourage my students to subscribe to Back Stage and become acquainted with the castings and articles, since it is still the original, reliable, comprehensive resource for an actor/singer/performer. In 1987, I had the good fortune to receive one of the first Back Stage Bistro Awards, as well as wonderful reviews from John Hoglund and the late Curt Davis and Bob Harrington during my many years singing in cabaret. Thank heavens Back Stage remains an ally and anchor for up-and-coming artists seeking to fulfill their dreams."Nina Murano, acting teacher, NY"As a native NYer, I've known about Back Stage forever. Back in the 1980s, it was my connection to the world I wanted to be a part of. It was because of Back Stage that I started my theater company in the year 2000. SALAAM Theatre is the first South Asian American multidisciplinary theater company in America."Geeta Citygirl, founder and artistic director, SALAAM Theatre, NY"Back Stage has always given vital information for everyone in the business above and below the line. Its longevity is due in large part to its tremendous power of keeping us all in the know in the performing arts. Back Stage was and will always be the ultimate guide to all things theatrical. Back Stage is the staple in your cupboard of dreams. Happy 50th anniversary, Back Stage. Can't have a career without you."Karen Gunn, manager, Soiree Fair, Montclair, N.J."I must say that my headshot career started with my ads I ran with you guys. I feel it couldn't be what it is today had I not advertised in Back Stage. I do think that it's an invaluable tool for actors and am so glad that they turned to Back Stage to find headshot photographers. Fifty years is very impressive. Wow! I hope you keep going for another 50!"Peter Hurley, photographer, Peter Hurley Photography, NY"I am happy to see Back Stage celebrate such a monumental achievement. I remember, before I became a casting director, that Back Stage was my main resource of auditions and information as a young actor. I am glad to see it is still a great resource. Here's to 50 more!"Mark Teschner, casting director, "General Hospital""Back Stage is a vital resource for actors across the country. In this day and age, information is not only knowledge, it is power, and the ability to navigate your career is enhanced with access to such information. The successful actor has to also understand the business side of the career, and Back Stage does a great job at giving them insights into how a successful actor has built his or her career, intel on how to find a great teacher, what a casting director looks for, and so much more. What I have come to enjoy and appreciate in both the printed and online publications is that Back Stage is giving actors a point of view and offering articles that go beyond what's casting and who's who in the business. It is a neighborhood paper for the community of actors, both working and aspiring to. I vcannot stress enough how important it is to connect to your community and take charge of your career. As both a casting director and the developer of the app Actor Genie, I have come to rely on Back Stage as the pulse of the actor's business. I only hope that, like an actor's performance, the paper will dig deeper and continue to be a major presence in the shrinking world of newspapers."Heidi Levitt, casting director, Heidi Levitt Casting, Los AngelesReported by Jessica Gardner, Simi Horwitz, and Daniel Holloway

What's Missing from Busan This Year? Hollywood

BUSAN, Columbia -- Notice anything different in regards to the Busan Worldwide Film Festival this year? Really, if you have been changes.our editor recommendsVietnam Pushes the Envelope with Harmful BIFF EntryRelated Subjects•Busan Worldwide Film ... There's a completely new festival director,Lee Yong-kwan there's a completely new venue, the Busan Cinema Center as well as the Asian Film Market has gone after the Busan Exhibition and Convention Center. But among all of the new changes, something's missing: Hollywood. BIFF opened up up getting a Korean film and may close getting a Japanese one. This year's gala presentations include films from Korea, China, Hong Kong, Japan, France as well as the United kingdom. Director Luc Besson and also the The Lady leading lady Michelle Yeoh certainly have La cred, but his Aung San Suu Kyi biopic is hardly Hollywood fare. Of BIFF's three juries, not merely one features a single American member. Numerous American customers and participants are attending the Asian film Market. Now, let's save this in perspective. Busan is certainly an worldwide event, but it is Asia's, not The U . s . States's, greatest film festival. That Korean films might be most prominent within an event kept in Korea, then films from throughout Asia, isnot an unpredicted. Nonetheless, the U.S. remains world's greatest film market, and Korean filmmakers have observed some success selling remake rights to American producers. Korean stars also provide made some headway turning up in Hollywood productions, including singer-actor-soldier Rain and Lee Byung-hun, a lot more than, say, their options from China and Japan. That is disappointing from the celebration that has formerly welcomed the type of Oliver Stone, Bryan Singer, Willem Dafoe and Josh Hartnett. While a film festival could possibly be worldwide without any predominance of yank game game titles and filmmakers, their absence this year is conspicuous. 2011 marks the beginning of a completely new era at BIFF. However, if first impressions are lasting ones, then current signs are that continue, Busan is really a Korean festival first, an Asian festival second plus an worldwide any. Related Subjects Worldwide Asia Busan Worldwide Film Festival

Tom Cruise Has Moves Like Jagger in Dance-Off Video

From 'Risky Business' to 'Tropic Thunder' one thing is clear: Tom Cruise loves dancing. This was confirmed once again at the wedding of 'Mission: Impossible - Ghost Protocol' producer David Ellison this weekend, when Cruise was challenged to a dance-off by a fellow guest. Cue up, Maroon 5! Tom's got some dancin' to do. Watch ahead. video platformvideo managementvideo solutionsvideo player If Ben Stiller and Owen Wilson need a big cameo for 'Zoolander 2,' Tom's probably available. [via TMZ] Follow Moviefone on Twitter Like Moviefone on Facebook

Apple Boss Tim Prepare on Jobs: 'No Words Can Adequately Express Our Sadness'

Apple Boss Tim Prepare sent a business-wide memo on Wednesday to employees, notifying them of co-founder and former Boss Jobs' dying earlier within the day.our editor recommendsSteve Jobs Dies at 56What Is Steve Jobs' Hollywood Legacy?Steve Jobs' Dying Inspires A large number of Facebook Pages In The MemorySteve Jobs' Dying: Hollywood Honors the VisionaryCBS News Finishes Relationship With Supply of Bogus Jobs Dying Tweet (Exclusive)Related Subjects•Steve Jobs "I've some very sad news to see everyone,Inch Prepare starts. "Steve died earlier today." PHOTOS: Hollywood's Notable Deaths Prepare, who changed Jobs as Boss of the organization in August, told staff that Apple was "planning for a celebration of Steve's remarkable existence for Apple employees which will occur soon." The executive directed these phones share "ideas, reminiscences and condolences" to their email particularly setup for that occasion. PHOTOS: 9 Greatest Compensated Entertainment CEOs "No words can adequately express our sadness at Steve's dying or our gratitude for that chance to utilize him," Prepare ongoing. "We'll recognition his memory by investing ourselves to ongoing the job he loved a lot.Inch Among Prepare's pargraphs in the memo is published around the official Apple website. Read Prepare's full memo to staff below: Team, I've some very sad news to see everyone. Steve died earlier today. Apple has lost a visionary and inventive genius, and the earth has lost an incredible individual. Individuals people who've been lucky enough to know and use Steve have forfeit a dear friend as well as an inspiring mentor. Steve results in a business that only he might have built, and the spirit will forever function as the first step toward Apple. We're planning for a celebration of Steve's remarkable existence for Apple employees which will occur soon. If you'd like to talk about your ideas, reminiscences and condolencesin the interim, you can just emailrememberingsteve@apple.com. No words can adequately express our sadness at Steve's dying or our gratitude for that chance to utilize him. We'll recognition his memory by investing ourselves to ongoing the job he loved a lot. Tim Related Subjects Jobs Apple